I don't think I need to explain what this one is about, and although the performances are gripping, and often hard to watch, Haneke's style of filmmaking is a little too passive and slow for me to properly enjoy. I understand the need for it in this instance, but that doesn't make it any more useful (for me).
The structure of the film left me a bit disorientated, and I'm annoyed that this was supposedly chosen ahead of Intouchables, but the lead's Oscar nomination is probably deserved just for its sheer realism. Although the lead in The Sessions deserves a nod as well, if only for the similar style of role.
8/10
1 comment:
You're a weirdo for watching this.
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